Chandos
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His default style is a slightly austere transparency, and it’s often exquisitely poetic. And so it is with the first sonata on this release. This congenial work, composed in 1817, asks for a... —
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Elgar: Coronation Ode & The Spirit of England
Teresa Cahill (soprano), Anne Collins (contralto), Anthony Rolfe-Johnson (tenor), Gwynne Howell (bass)
Scottish National Orchestra, Sir Alexander Gibson
Gibson's performances combine fire and panache, and the recorded sound has an ideal Elgarian expansiveness, the choral tone rich and well focused, the orchestral brass given plenty of weight. —
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Special offer. Bizet: Carmen
Patricia Bardon (Carmen), Julian Gavin (Don José), Garry Magee (Escamillo), Mary Plazas (Micaëla), Toby Stafford-Allen (Moralès), Nicholas Garret (Zuniga)
Geoffrey Mitchell Choir, New London Children's Choir, Philharmonia Orchestra, David Parry
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Special offer. Bloch, E: Concerto symphonique in B minor for piano & orchestra, etc.
Halida Dinova (piano)
St Petersburg State Capella Symphony Orchestra, Alexander Tchernushenko
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Howells: Missa Sabrinensis & Stabat Mater
Janice Watson (soprano), Della Jones (contralto), Martyn Hill (tenor), Donald Maxwell (baritone), Neill Archer (tenor)
London Symphony Orchestra & Chorus, Gennady Rozhdestvensky
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Special offer. Janáček: Osud (Fate)
Helen Field (Míla Valkova), Philip Langridge (Zivny), Kathryn Harries (Míla's mother)
Orchestra of Welsh National Opera, Chorus of Welsh National Opera, Sir Charles Mackerras
Mackerras delivers a magnificent ensemble performance, and the mass of minor roles is flawlessly presented. —
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Borodin: Symphony No. 2 in B minor, etc.
Royal Stockholm Philharmonic Orchestra, Gennady Rozhdestvensky
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