Chandos
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Cooper has a thorough command of the Schumann language in the major works buttressing her recital...judiciously differentiated, finely balanced and sustained by a compelling impulse. —
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Niccolò Castiglioni: Salmo XIX, La Buranella & Altisonanza
Teresia Bokor (soprano) & Sine Bundgaard (soprano)
Danish National Symphony Orchestra, Danish National Concert Choir, Gianandrea Noseda
An enterprising disc. —
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Iain Farrington’s excellently crafted arrangements of largely familiar works by the likes of Purcell and Handel are performed here with panache by this super-versatile group. —
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Tippett: King Priam
Norman Bailey (King Priam), Heather Harper (Hecuba), Felicity Palmer (Andromache), Philip Langridge (Paris), Robert Tear (Achilles), Stephen Roberts (Patroclus), Thomas Allen (Hector), Yvonne Minton (Helen), Ann Murray (Nurse)
London Sinfonietta, David Atherton
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We’re talking about a formidable technique here, which Meisinger shows off with tongue-in-cheek flamboyance in Llobet’s Sor Variations. —
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The Harmonious Echo: Songs by Sir Arthur Sullivan
Mary Bevan (soprano), Kitty Whately (mezzo), Ben Johnson (tenor), Ashley Riches (bass-baritone), David Owen-Norris (piano)
Like soprano Mary Bevan, tenor Ben Johnson and baritone Ashley Riches, [Whately] brings clear diction and a good range of tone to the material – much of it forgotten today...in Whately’s visionary... —
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Purcell: Complete Sonatas of Three and Four Parts & Complete Pavans
Purcell Quartet (early music ensemble), Risa Browder
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