Chandos
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Cooper has a thorough command of the Schumann language in the major works buttressing her recital...judiciously differentiated, finely balanced and sustained by a compelling impulse. —
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Douglas achieves a magnificently orchestral textures. This is big, broad-boned playing of a high order: powerful but never noisy; grand but never grandiose; texturally lucid and tonally rich. —
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Niccolò Castiglioni: Salmo XIX, La Buranella & Altisonanza
Teresia Bokor (soprano) & Sine Bundgaard (soprano)
Danish National Symphony Orchestra, Danish National Concert Choir, Gianandrea Noseda
An enterprising disc. —
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Bruch: Violin Concertos Nos. 2 & 3
Lydia Mordkovitch (violin)
London Symphony Orchestra, Richard Hickox
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Hasse, CPE Bach & Hertel: Cello Concertos
Alexander Rudin (cello & conductor)
Musica Viva (Moscow Chamber Orchestra)
The performances across the whole disc are all quiet stunners. Pitched at 415Hz, the orchestra offer up an immaculate, gently assured, light-of-touch period sound that seems all the more impressive... —
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It’s 0 to 100 in three seconds: from the first notes and initial crescendo of the Brahms Op. 51 No. 1, the Brodsky Quartet means serious business. All of this long-established ensemble’s considerable... —
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All four musicians...reveal their experience and expertise as interpreters, particularly of this kind of German repertoire, which they have been championing for some time now; less flamboyant... —
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