Chandos
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Rachmaninov: Songs, Vol. 1
Joan Rodgers (soprano), Maria Popescu (contralto), Alexandre Naoumenko (tenor), Sergei Leiferkus (baritone), Howard Shelley (piano)
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Mozart: Double Piano Concerto, K. 365 & Sinfonia Concertante, K. 364
Håvard Gimse (piano), Vebjørn Anvik, Lars Anders Tomter (viola), Norwegian Chamber Orchestra, Iona Brown
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Bavouzet’s performances are given with ‘beaded bubbles winking at the brim’ – Keats’ wonderfully apt metaphor – and he is ideally partnered by Takács-Nagy. The concertos are complemented by... —
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Rachmaninoff: Symphonic Dances, Op. 45, etc.
Olga Lutsiv-Ternovskaya (soprano), Leonid Bomstein (tenor), Vyacheslav Pochapsky (bass)
Russian State Symphony Orchestra, Russian State Symphonic Cappella, Valeri Polyansky
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All in all, the liveliness and spontaneity of Trio Gaspard’s performances are admirable throughout, though there are times when it ’s possible to feel that the music-making lacks an element... —
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Hindemith: Cello Concerto & The Four Temperaments
Howard Shelley (piano), Raphael Wallfisch (cello)
BBC Philharmonic, Yan Pascal Tortelier
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It’s hard…to find fault with these performances, which do full justice both to the glittering style of Haydn’s keyboard writing, and to the profundity of a piece such as the great Adagio from... —
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Eri Nakamura’s clear-toned pianism is very classy indeed, though, and enlivens throughout. The trio offers a strong sense of partnership, with the Bernstein bouncing along in fine spirit. The... —
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