Chandos
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Hyde's exciting voice has a consistently warm, unfussy tone over a wide range. She sings without vibrato, strain on the high notes or contrived embellishments. Diction is mostly perfect...The... —
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Mendelssohn: Elijah, Op. 70
Willard White (bass), Rosalind Plowright (soprano), Linda Finnie (contralto) & Arthur Davies (tenor)
London Symphony Chorus & London Symphony Orchestra, Richard Hickox
A full-blooded account with a particularly stirring contribution from the LSO Chorus. White's commanding presence as Elijah is slightly marred by some passages with wobbly vibrato. —
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Shostakovich: Piano Concerto No. 2 in F major, Op. 102, etc.
Dmitri Shostakovich Jr (piano)
I Musici de Montreal, Maxim Shostakovich, Yuli Turovsky
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$20.25 -
The Grainger Edition Volume 11
Works for Chorus and Orchestra 4
Pamela Helen Stephen (mezzo-soprano), Johan Reuter (baritone)
Danish National Radio Choir & Symphony Orchestra, Jesper Grove Jorgensen, Richard Hickox
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Nielsen: Saul & David
Susse Lillesoe (soprano), Aage Haugland (bass), Christian Christiansen (bass), Tina Kiberg (soprano), Peter Lindroos (tenor), Jorgen Klint (bass), Anne Gjevang (alto), Kurt Westi (tenor), Hanna Hjort (soprano)
Danish National Radio Choir, Danish National Radio Symphony Orchestra, Neeme Jarvi
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As the work of a 24-year-old seeking to make his mark, Kabalevsky's First Piano Concerto is unsurprisingly replete with references to the Russian concerto tradition. Yet just as one notes the... —
