Chandos
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The CBSO plays admirably throughout, and the Chandos recording is attractively spacious. —
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Khachaturian - Concertos
Lydia Mordkovitch (violin), Raphael Wallfisch (cello)
Scottish National Orchestra, London Philharmonic Orchestra, Neeme Järvi, Bryden Thomson
Ingenuity and Chandos are inseparable when it comes to harnessing and re-harnessing recordings —
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Bach - Harpsichord Concertos Volume 1
Stephen Preston (flute), Robert Woolley (harpsichord), Paul Nicholson (harpsichord)
Purcell Quartet
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Geoffrey Burgon - Viola Concerto & Cello Concerto
Philip Dukes (viola), Josephine Knight (cello), Sarah Connolly (mezzo-soprano)
City of London Sinfonia, Rumon Gamba
[The Viola Concerto] is expertly written, and must be gratifying to play: Philip Dukes appears to enjoy himself, and never puts a foot wrong. —
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Atterberg: Orchestral Works, Vol. 5
Anna Larsson (soprano) & Olle Persson (baritone)
Gothenburg Symphony Orchestra, Gothenburg Symphony Chorus, Neeme Järvi
Järvi and his Gothenburg forces produce exemplary performances, strong in interpretative outline…[and] vividly recorded —
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Verdi: La Traviata
Valerie Masterson (Violetta Valéry), John Brecknock (Alfredo Germont), Christian du Plessis (Giorgio Germont), Della Jones (Flora Bervoix)
English National Opera Orchestra, English National Opera Chorus, Sir Charles Mackerras
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Atmospheres are intense, intimate, turbulent and dreamlike by turns; and Cooper injects every note with strength of personality…[her] sense of authority becomes vast in the Polonaise-Fantasie... —
