Challenge Classics
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Vinum et Musica
Songs & Dances from Nuremberg Sources
Dominique Visse (alto), William Dongois (cornet), Hildegard Wippermann (alto shawm, dulcian), Detlef Reimers (sackbut), Annette Hils (bass dulcian, recorder), Klaus Eichhorn (organ, regal organ) & Katharina Bäuml (shawm, dulcian and direction)
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Mia Yrmana Fremosa
Medieval woman's songs of love and pain
Triphonia: Amanda Simmons, Gaby Bultmann & Leila Schoeneich
They display a wide variety of instrumental colours and often lively playing of substantial virtuosity. They are particularly resourceful in their percussion, drawing very heavily on the Arabic... —
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Stylems - Italian Music From The ‘Trecento’
Alexandre Danilevski (medieval lutes, colichon, fiddle, checker (clavichord), portative organ)
Ensemble Syntagma
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Totdat De Wachter Heeft Gezongen
Songs from the Gruuthuse Manuscript (Ca. 1400) And Instrumental Connections
Aventure
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Piffarissimo: Instrumental Music at the Council of Constance 1414-1418
Birgit Bahr (shawms), Hildegard Wippermann (shawm), Falko Munkwitz (sackbut/slide trumpet), Keal Couper (sackbut/slide trumpet/cowhorn), Johannes Vogt (lute), Peter A. Bauer (percussion)
Capella de la Torre, Katharina Bäuml (shawms/conductor)
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Mozart’s ‘Abendempfindung an Laura’ ( K523) looks simple on the surface but is artfully through composed, and Richter leads each phrase into the next with subtle vocal shading and seamless breath... —
