Accentus Music
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the Adagio at the start of the Finale, one of Mozart’s finest inspirations, is very sensitively done; and the players move pleasingly into the ‘boys and girls come out to play’ Allegro. —
Awards:
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Record Review, 19th January 2019, Disc of the Week
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International Classical Music Awards, 2019, Nominee - Chamber Music
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Of these two performances by the Stuttgart-based Gaechinger Cantorey, the CPE Bach comes over more vividly, with sharply articulated detail under the energetic direction of Hans-Christoph Rademann. —
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Awards:
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International Classical Music Awards, 2025, Nominated - Chamber Music
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Her affinity with [Bach's] idiom is everywhere palpable in this recording...Eschewing flashy showmanship, she focuses instead on drawing a limpid cantabile sound, and on making the rhythms dance...Mei's... —
Awards:
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BBC Music Magazine, September 2017, Instrumental Choice
Purchase product
CD
$26.75 -
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If there is such a thing as the ideal Bruckner sound, the Bamberg Symphony must come very close to it...There are no cheap thrills in this performance: one is never simply waiting for a bigger,... —
Awards:
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International Classical Music Awards, 2025, Nominated - Symphonic Music
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The Leipzig players do [Chailly] proud. There are so many stunning solos, from tenor horn at the start to the first trumpet who never splits brilliant top notes in the finale, that names should... —
Awards:
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Gramophone Magazine, July 2026, DVD/Blu-ray of the Month
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Gramophone Magazine, December 2015, Editor's Choice
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International Classical Music Awards, 2016, Winner - Video Performance
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This performance curtails the silences in the interests of the Italian conductor Claudio Abbado’s linear approach...This is Bruckner sunny side up, lending a molto espressivo bloom to the string... —
Awards:
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Gramophone Magazine, August 2012, DVD of the Month
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Gramophone Awards, 2012, Winner - DVD Performance
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JS Bach: St Matthew Passion
Isabel Schicketanz (soprano), Marie Henriette Reinhold (alto), Patrick Grahl (Evangelist), Benedikt Kristjánsson (tenor), Peter Harvey (Jesus), Krešimir Stražanac (bass), Gaechinger Cantorey, Hans-Christoph Rademann
If each accomplished recording of the Passion brings its own special dimension, the Gaechinger Cantorey’s most distinctive attributes lie in its measured narrative, adroit judgement, fine balance... —
Awards:
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International Classical Music Awards, 2022, Nominated - Baroque Vocal
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Bruckner: Missa Solemnis
Johanna Winkel (soprano), Sophie Harmsen (mezzo), Sebastian Kohlhepp (tenor), Ludwig Mittelhammer (baritone)
Akademie für Alte Musik Berlin, RIAS Kammerchor, Łukasz Borowicz
A fascinating glimpse of another side to the composer which is made all the more intriguing in these exemplary performances. —
Awards:
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Diapason d’Or, April 2018, Nouveauté
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Giacomo Puccini; Johann Sebastian Bach; Heitor Villa-Lobos; Arvo Pärt; Alexander Borodin: Metanoia
Ensemble Sequenza 9.3, Ensemble K, Simone Menezes
Puccini’s youthful inspiration sounds most effective here [in the four excerpts from the Messa di Gloria], elegantly sung and played with scaled-back forces, making you wish you could experience... —
Awards:
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BBC Music Magazine, April 2022, Orchestral Choice
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