Accentus Music
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Haydn: Die Schöpfung
RecommendedKatharina Konradi, Julian Habermann, Tobias Berndt, Gaechinger Cantorey, Hans-Christoph Rademann
From the very start it ’s clear that we’re in for an exceptionally dramatic performance, as Hans-Christoph Rademann and his musicians bring out all the intensity and eeriness of the ‘Representation... —
Awards:
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Record Review, 19th November 2022, Record of the Week
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International Classical Music Awards, 2024, Nominated - Choral
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Building A Library, January 2024, Recommended Recording
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Mozart: Symphony No. 38 'Prague' & Voříšek: Symphony in D Major
Gewandhausorchester Leipzig, Herbert Blomstedt
in their own terms these are superbly handsome performances, with an amplitude relating to the grand manner of the ‘Prague’ Symphony in particular, and with recorded sound to match. —
Awards:
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International Classical Music Awards, 2023, Nominated - Symphonic Music
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Opus Klassik Awards, 2023, Nominated - Conductor of the Year
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This disc is of sublime music, gloriously played, and it is one of those occasions when it seems superfluous to say much more…What Sunwook Kim brings to [the last three sonatas], as he also... —
Awards:
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International Classical Music Awards, 2022, Nominated - Solo Instrument
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International Classical Music Awards, 2022, Nominated - Video Performance
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the Adagio at the start of the Finale, one of Mozart’s finest inspirations, is very sensitively done; and the players move pleasingly into the ‘boys and girls come out to play’ Allegro. —
Awards:
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Record Review, 19th January 2019, Disc of the Week
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International Classical Music Awards, 2019, Nominee - Chamber Music
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Of these two performances by the Stuttgart-based Gaechinger Cantorey, the CPE Bach comes over more vividly, with sharply articulated detail under the energetic direction of Hans-Christoph Rademann. —
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Bruckner: Missa Solemnis
Johanna Winkel (soprano), Sophie Harmsen (mezzo), Sebastian Kohlhepp (tenor), Ludwig Mittelhammer (baritone)
Akademie für Alte Musik Berlin, RIAS Kammerchor, Łukasz Borowicz
A fascinating glimpse of another side to the composer which is made all the more intriguing in these exemplary performances. —
Awards:
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Diapason d’Or, April 2018, Nouveauté
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Sublimely controlled, Barenboim throws down the expressive gauntlet with playing as subtle as it is high-voltage and apparently – paradoxically – on the edge of reason. Underpinning the whole... —
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BBC Music Magazine, April 2018, Instrumental Choice
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Right from the first note, you realise Chochieva has not just drifted into the studio on a whim or simply to fulfil a contract. This is music-making of real purpose and conviction. —
Awards:
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Gramophone Magazine, April 2021, Editor's Choice
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This disc is of sublime music, gloriously played, and it is one of those occasions when it seems superfluous to say much more…What Sunwook Kim brings to [the last three sonatas], as he also... —
Awards:
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International Classical Music Awards, 2022, Nominated - Solo Instrument
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International Classical Music Awards, 2022, Nominated - Video Performance
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This disc is of sublime music, gloriously played, and it is one of those occasions when it seems superfluous to say much more…What Sunwook Kim brings to [the last three sonatas], as he also... —
Awards:
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International Classical Music Awards, 2022, Nominated - Solo Instrument
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International Classical Music Awards, 2022, Nominated - Video Performance
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