C Major
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Special offer. Bizet: Les Pêcheurs de Perles
Patrizia Ciofi (Leila), Dmitry Korchak (Nadir), Dario Solari (Zurga), Roberto Tagliavini (Nourabad)
Orchestra, Coro e Corpo di Ballo del Teatro di San Carlo, Gabriele Ferro
[Ciofi's] clear, incisive soprano catches Bizet's floating line and liquid coloratura with fluent ease, and she seems a touch mature only in close-up - alongside the youthful Dmitry Korchak,... —
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Special offer. Rossini: Mosè in Egitto
Andrew Foster-Williams (Faraone), Mandy Fredrich (Amaltea), Sunnyboy Dladla (Osiride), Clarissa Costanzo (Elcia), Taylan Reinhard (Mambre), Goran Jurić (Mosè), Matteo Macchioni (Aronne), Dara Savinova (Amenofi)
Wiener Symphoniker, Enrique Mazzola, Lotte De Beer
As Osiride, Sunnyboy Dladla is a useful bel canto tenor…and Andrew Foster-Williams is a stern voiced Pharoah. Best of all is the young Italian soprano, Clarissa Costanzo, who rightly stops the... —
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Special offer. Rossini: Le Comte Ory
Julie Fuchs (Adèle), Philippe Talbot (Le Comte Ory), Gaëlle Arquez (Isolier), Eve-Maud Hubeaux (Ragonde), Jean-Sébastien Bou (Rambaud)
Orchestre des Champs-Élysées, Les éléments, Louis Langrée, Denis Podalydès (director), Christian Lacroix (designer)
In this recent Paris staging, it is the second act which delights rather more than the first… The Opéra Comique’s Francophone cast is led by Julie Fuchs’s sweet-toned Countess… Talbot is excellent,... —
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Special offer. Rossini: Tancredi
Anna Goryachova (Tancredi), Mélissa Petit (Amenaide), Antonino Siragusa (Argirio), Andreas Wolf (Orbazzano), Laura Polverelli (Isaura)
Prague Philharmonic Choir, Wiener Symphoniker, Jan Philipp Gloger, Yi-Chen Lin
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Handel: Messiah
Susan Gritton (soprano), Cornelia Horak (soprano), Bejun Mehta (countertenor), Richard Croft (tenor), Florian Boesch (baritone)
Ensemble Matheus & Arnold Schoenberg Choir, Jean-Christophe Spinosi
there are some penetrating ideas lurking behind the underlying premise, which in essence orbits around the moral, theological and familial fallout surrounding a suicide...the singing blazes... —
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Thielemann’s approach to tempos is slightly more flexible than in [his recording of] the Fourth Symphony, although his choices are judiciously handled and do not detract from the overall sense... —
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Kit Armstrong plays Wagner, Liszt and Mozart
Live from the Margravial Opera House, Bayreuth
Kit Armstrong (piano)
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Andris Nelsons, Royal Concertgebouw Orchestra and Yefim Bronfman at the Lucerne Festival, 5th September 2011
Yefim Bronfman (piano)
Concertgebouw Orchestra, Andris Nelsons
every gesture and expression dovetails with what we hear. Subtle yet soaring, these orchestral performances are shaped by a conductor who enjoys every second of his job, and equally enjoys the... —
