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a magnificent monster it is… grand in every sense- the criss-crossing chromatic scales in the Amen of both the Gloria and the Credo are especially striking...the singing is fabulous and the... —
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I would urge all those who love these evergreen concertos to become acquainted with this new issue by Barthold Kuijken and La Petite Bande tasteful and faultless ornamentation…evenly balanced... —
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Kuijken continues to be a relentless pioneer of Baroque music practice; in recent years he has embraced the one-voice-per-part approach to Bach's church music and has also reappraised several... —
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Les Traversées Baroques’ sensuous playing aptly illustrates the characteristics of godly Reason (soprano Anne Magouët), the secular worldliness of Death (countertenor Paulin Bündgen) and the... —
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The Oboe in Berlin
Xenia Löffler, Michaela Hasselt, Daniel Deuter, Michael Bosch, Györgyi Farkas, Katharina Litschig
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Gesu Cristo Negato de Pietro - Oratorio 1719
Daniel Johannsen (Pietro Apostolo), Alois Mühlbacher (Balila), Gerd Kenda (L'Odio de'Giudei), Markus Forster (L'Amor Divino), Maria Ladurner (L'Umanita Peccatrice), Ars Antiqua Austria, Gunar Letzbor
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