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Shostakovich: Symphony No. 13 in B flat minor, Op. 113 'Babi Yar'
Jan-Hendrik Rootering (bass)
Netherlands Radio Choir & Netherlands Radio Philharmonic Orchestra, Mark Wigglesworth
Wigglesworth immediately extends his spacious authority, in a cycle which so far deserves respect and admiration… Jan-Hendrik Rootering… goes farther than any bass I've heard… in introspective... —
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…another fine instalment in Brautigam's continuing Beethoven cycle, with all the music's drama and urgency vividly captured, and a warmly expressive approach to the slow movements without a... —
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this is a colourful and enjoyable account [of Petrushka], well-characterised and full of dynamic contrast...fans of Kempf need have no qualms about acquiring this release. —
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Sally Beamish: Orchestral Works
Anthony Marwood (violin), Sharon Bezaly (flute)
Royal Scottish National Orchestra, Martyn Brabbins
...the First Symphony leaves the strongest impression here...It makes no mean impression in this performance, Martyn Brabbins drawing a committed response from the Royal Scottish National players,... —
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Noriko Ogawa and Kathryn Stott ride every unexpected twist and turn with panache. The Tokyo Symphony Orchestra is also impressive: it's no small feat for such a large band to groove as they... —
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Christmas Songs
Ida Falk Winland (soprano)
Orphei Drängar male-voice choir, Linné Brass Quintet & Members of the Uppsala Chamber Orchestra, Cecilia Rydinger Alin
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C P E Bach - Solo Keyboard Music Volume 23
Sonatas from 1750-58 and other pieces
Miklós Spányi (clavichord)
Spanyi's inspiring touch adds magic on this delicate instrument. Gentle tonal subtlety provides rich rewards. —
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Gubaidulina: In tempus praesens & Glorious Percussion
Concertos by Sofia Gubaidulina
Vadim Gluzman (violin), Glorious Percussion (Anders Loguin, Anders Haag, Mika Takehara, Eirik Raude, Robyn Schulkowsky)
Lucerne Symphony Orchestra, Jonathan Nott
Gubaidulina's second violin concerto, In Tempus Praesens (2007) is one of her most eloquent utterances...All in all a poetic reading, sufficiently different from Mutter to be worth acquiring...Gubaidulina... —
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There is a nice mixture of whimsy throughout all these pieces, plus a gentle melancholy that is wholly individual…a cornucopia of very French music, which is superbly played. —
