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At their best, Vincent Lardaret's interpretations find an unaffected poise and finesse that perfectly suit the work concerned. —
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Pienaar's rendition of them on a modern piano sounds perfectly natural. He also takes advantage of Le Roux's compositional flexibility to make some choice additions, elaborations and amendments.... —
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Rossini: Maometto Secondo
Paul Nilon (Erisso), Siân Davies (Anna), Darren Jeffery (Maometto, Sultan of the Turks), Caitlin Hulcup (Calbo), Christopher Diffey (Condulmierol), Richard Dowling (Selimo)
Garsington Opera Orchestra and Chorus, David Parry
The opera’s structure comes across with epic force thanks to David Parry’s stylistically assured conducting...Sian Davies sings with temperament and consistency, not least in her ringing top... —
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Nickel: Music for Woodwind Choirs
Roger Cole, Karin Walsh, Beth Orson, Erin Marks, Sarah Jackson, Christie Reside, Rosanne Wieringa, Laura Vanek, Paul Hung, Anne-Elise Keefer, Paolo Bortolussi, Clyde Mitchell
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Wagner: Der Ring des Nibelungen
Alwyn Mellor (Brunnhilde), Stefan Vinke (Siegfried), Greer Grimsley (Wotan), Stephanie Blythe (Fricka), Margaret Jane Wray (Sieglinde), Stuart Skelton (Siegmund)
Seattle Opera, Seattle Opera Chorus and Seattle Symphony Orchestra, Asher Fisch
Grimsley's Wotan...has something of the centred warmth and sound of Norman Bailey's...The Walsung twins give good value...[Mellor] has an attention to detail and dynamics reminiscent of Anne... —
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This is truly lovely disc...the way these four musicians play together is wonderfully cohesive, sensitive and warm-hearted, and the results recall some of the finest chamber music playing of... —
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The Gospel According To Mark
Catherine Redding, Fabiana Katz, Carman J. Price, Steven Bélanger, Vancouver Contemporary Orchestra, Clyde Mitchell
