Avie
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Chridtopher Tyler Nickel: The Gospel According to Mark - Prophecy
Catherine Redding, Fabiana Katz, Carman J. Price, Steven Bélanger, Vancouver Contemporary Orchestra, Clyde Mitchell
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Stegall has a sweet-toned, attractive sound, with moments of great tenderness and beauty. But his interpretative voices are occasionally bewildering…Zivin, on an 1841 Viennese Rausch fortepiano,... —
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Posey displays colossal lung power and technique – presumably self-developed, given the newness of the tubax. Almost everything here takes the listener into unchartered territory. —
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Twentieth Century Masters Volume 2 - MacMillan and His British Contemporaries
Nicholas Wearne (organ)
The Choir of New College Oxford, Edward Higginbottom
There are few boy choristers who can phrase as expressively as Edward Higginbottom’s firm rich-toned altos ... a dignified, darkly eloquent performance. —
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Away Delights: Lute Solos and Songs from Shakespeare's England
Matthew Wadsworth (lute), Carolyn Sampson (soprano)
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Palimpsest
Bach - McKinley - Piazzolla - Ravel
Richard Stoltzman (clarinet), Mika Stoltzman (marimba)
Marimba, clarinet, bandoneon and bass looks odd on paper, but it works, helped by lively and eloquent playing. Ravel’s Pavane arranged for clarinet and marimba is an unexpected joy. —
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When Laura Smiles
Lute solos and songs from Elizabethan England by Philip Rosseter
Matthew Wadsworth (lute) & James Gilchrist (tenor)
James Gilchrist's supple, seductive tenor is well-suited to this repertoire: through the subtlest of expressive nuances and inflections, he breathes life into this arcane but charming poetry,... —
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Boccherini: Chamber Works For Flute
Sally Walker, Elizabeth Layton, Alison Rayner (double bass), Stephen King, Thomas Marlin, Mark Gaydon, Sarah Barrett, Robert Nairn, Celia Craig
