Avie

each voice has a specific timbre. But somehow they converge into what often feels like a single sound, aided by their near-telepathic musical rapport...And they don't inject their own pathos:... — Gramophone Magazine, January 2014More…

Channelling a range of stylistic inspirations, from jazz and blues to bossa nova and improv, this first album of original works by Croisé showcases his impressive technique and generous tone... — BBC Music Magazine, September 2023, 3 out of 5 starsMore…

Antonio Meneses and Grard Wyss show a collegial ease together, with natural and unaffected phrasing that oozes affection for the music...The songs work well: Meneses’s eloquent phrasing substitutes... — BBC Music Magazine, September 2022, 3 out of 5 stars (Performance) / 4 out of 5 stars (Recording)More…

Precise (except where blowsy imprecision is an atmospheric decision) but always characterful, this attractive disc wears its historical knowledge and skill lightly enough to appeal well beyond... — Gramophone Magazine, February 2018More…

Yes it’s beautiful, but it also showcases the instrument’s versatility and the depths of colour and timbre attainable. — BBC Music Magazine, May 2022, 4 out of 5 starsMore…

Haefliger is impressive in the fugue [of the Hammerklavier], but his opening movement is rather careful, stressing strength at the expense of sweep and momentum...The subtlety of Haefliger's... — BBC Music Magazine, December 2011, 3 out of 5 starsMore…