Avi Music
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assurance and engagement are fully evident here, and it's not just in the response to the variety of tone and timbre asked for, but in the care over intonation - always a potential problem in... —
Awards:
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Gramophone Magazine, March 2015, Editor's Choice
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Building a Library, November 2018, Also Recommended
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Diapason d’Or de l’Année, 2015, Winner - Musique de Chambre
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Special offer. Franz Liszt: der Du von Dem Himmel Bist
Konstantin Krimmel (baritone), Daniel Heide (piano)
Krimmel is always a pleasure to listen to, and with Heide makes a fine, often probing partnership. With a tiny handful of exceptions, Liszt’s songs have long been relegated to the margins. Here... —
Awards:
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Schallplattenkritik Quarterly Critics Choice, Autumn 2022, Lieder / Vocal Recital
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Opus Klassik Awards, 2023, Nominated - Young Talent & Solo Vocal
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Special offer. C. Schumann - Piano Trio & Schubert - Rosamunde Quartet, String Trio
RecommendedAntje Weithaas (violin), Tanja Tetzlaff (cello), Gunilla Sussmann (piano), Christian Tetzlaff (violin), Rachel Roberts (viola), Gergana Gergova (violin), Volker Jacobsen (viola), Alban Gerhardt (cello)
Awards:
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Building a Library, March 2015, First Choice
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Awards:
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International Classical Music Awards, 2023, Nominated - Assorted Programs
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Special offer. Reger: Piano Concerto (Live Recording) & Piano Pieces
Markus Becker (piano)
NDR Radiophilharmonie, Joshua Weilerstein
Awards:
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Opus Klassik Awards, 2019, Winner - Concerto (piano)
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Here's a recording that offers rewards on so many levels...It's wonderful to hear Schoenberg played not only with such flawless intonation, but also with such understanding for the way the music... —
Awards:
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BBC Music Magazine, March 2011, Chamber Choice
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Special offer. Brahms: Violin Concerto & String Quintet Op. 111
Antje Weithaas (solo violin and leader)
Camerata Bern
The multiple-strings version of the String Quartet in G is fascinating. I've long felt that the opening is really orchestral music, and in Weithaas's hands it leaps into life as exactly that. —
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What makes the disc worth hearing, apart from a brilliantly steel-fingered Scherzo No. 1, is Vogt's way with six of the Nocturnes, where he does sound at home in Chopin. All flow very naturally,... —
