Audite

To hear these live performances is a real treat… The distinctive sonority of the Czech Philharmonic, its idiomatic sense of light and shade and it rhythmic subtlety brings out flexibility and... — International Record Review, November 2013More…

The delights come thick and fast on this, the fifth and final instalment in Eivind Aadland's treasurable Grieg series for Audite. Soprano Camilla Tilling is on radiant form…Aadland and his exemplary... — Classical Ear, 17/03/2016, 5 out of 5 starsMore…

Schumann’s Symphony No 2 in C major sounds so convincingly pianistic it’s hard to remember the orchestration at all. He takes a few liberties to ensure no muddied textures, but it comes as no... — The Observer, 8th February 2015, 4 out of 5 starsMore…

In the Op. 8 Serenade the Jacques Thibaud Trio capture well the outdoorsy character, particularly in the uproarious March…I like, too, the tempo [they] choose for the first movement of the Op.... — Gramophone Magazine, September 2015More…

[The Cremona] are well up to their usual standard in the exhilarating performance for the A major Quartet Op. 18 No. 5, with its wonderfully peremptory opening and its general air of a youthful... — BBC Music Magazine, January 2017, 2 out of 5 starsMore…

This is not the first recording [of the Missa in labore requies] but it is surely the most effective, as much as anything for its skilful use of the building; voices and instruments really do... — Gramophone Magazine, September 2016More…

This German duo bend over backwards to inject zest and propulsion into both works. Equally, they recognise that a certain acidity, even in the most lyrical, dreaming of passages, never lurks... — Gramophone Magazine, August 2016More…