Audite

Bringuier's brightly buoyed performances are bang on the nail whereas his subtle sense of colour works well in the Four Dirges… more elastic, less relentless Bartók than has become the norm... — Gramophone Magazine, November 2009More…

This collection of Beethoven’s works for violin, cello and piano...is played by the Swiss Piano Trio with real freshness and verve.The early Op 11 in B flat major (1797) and the one-movement... — The Observer, 10th September 2017, 4 out of 5 starsMore…

Ably partnered by the Deutsche Radio Philharmonie and Nagy, the violinist Liana Gourdjia gives a clean, elegant, sometimes dogged and sometimes lyrical account of Stravinsky’s 1931 Violin Concerto:... — Sunday Times, 29th January 2017More…

Audite’s release of a 1955 recording with Milstein and the Swiss Festival Orchestra under Ernest Ansermet marks a ‘first’ in the discography of Ansermet…The sound is acceptable throughout, save... — Gramophone Magazine, March 2019More…

It’s many a long year since I enjoyed this marvellous, life-enhancing set [the Brandenburgs] so much. Who knew that Reger could be such fun? A great deal of this is down to the immaculate pinpoint... — Gramophone Magazine, December 2019More…

For Lucchesini, these works should be approached as extended songs. His tonal palette ranges from shoutily vulgar to subtly hushed. There are welcome touches of historically-informed practice,... — BBC Music Magazine, July 2020, 4 out of 5 starsMore…