Atma Classique
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Predictably, Yannick Nézet-Séguin gets the pacing and the frissons absolutely right in Sibelius’s two biggest and best-known symphonic adventures...If not the most startling of recent interpretations,... —
Awards:
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Sunday Times, 20 Best Classical Albums of 2024
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This recital is worth investigating as much for the repertoire as for Thibeault’s big-boned, visceral playing: Schumann’s Romances for Violin and Piano transfer quite beautifully to the viola,... —
Awards:
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Presto Editor's Choice, July 2019
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This is a rich and illuminating find. From the outset you sense Janina Fialkowska's innate, developmental grasp of drama - of the connection between phrases and their dynamic character. Then... —
Awards:
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Gramophone Magazine, August 2012, Editor's Choice
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BBC Music Magazine Awards, 2013, Instrumental Award Winner
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Yannick Nézet-Séguin favours more leisurely tempos in the slow introductions [of Salomé], drawing luscious playing from his Montreal orchestra, particularly in the Prelude...He has a firm grasp... —
Awards:
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Gramophone Magazine, June 2011, Editor's Choice
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Janina Fialkowska is one of today's most dependable pianists - bold, poetic, virtuosic and very much more…[the] cornucopian approach poses special challenges to the imagination, and technique,... —
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Fauré: Integrale des Melodies pour Voix et Piano
Complete Songs for Voice & Piano
Hélène Guilmette (soprano), Olivier Godin (piano), Antonio Figueroa (tenor), Marc Boucher (baritone), Julie Boulianne (mezzo-soprano)
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Théodore Dubois: Masses
Maria Knapik (soprano), Marc Boucher (baritone) & Jean-Willy Kunz (organ)
Choeur Philharmonique du Nouveau Monde, Les Chanteurs de Sainte-Therese, Le Choeur Tremblant, Le Choeur Classique d’Ottawa & Orchestre Philharmonique du Nouveau Monde, Michel Brousseau
