Zigzag

the forces more or less resemble a string quartet with continuo and the occasional use of harpsichord or organ, theorbo or Baroque guitar, is light and transparent, offsetting the extraordinary... — Gramophone Magazine, March 2013More…

... her piano playing already bears the mark of the three great pianists who fashioned it, and of whom she has succeeded in creating an improbable synthesis: the panache of Martha Argerich,... — DiapasonMore…

… the violin really 'speaks' here, superbly supported by Imaginarium's varied continuo group. — BBC Music Magazine, September 2008, 4 out of 5 starsMore…

Couvert's refined touch produces some marvellously delicate playing, heard most affectingly in the Overgrown Path's simple yet subtle final pair of movements. — Gramophone Magazine, May 2009More…