Warner Classics
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If absolute technical cleanliness is a priority, Horowitz may be outgunned by Zimerman and Pollini, but his demonic drive and sheer intensity remain things of wonder. Overwhelmingly charismatic... —
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Plácido Domingo
includes works by Verdi, Puccini, Leoncavallo, Cilea & Agustin Lara
Plácido Domingo (tenor), Catherine Malfitano (soprano), Julia Migenes (soprano), Deutsche Oper Berlin, Orchestra Sinfonica di Roma della RAI, Chicago Symphony Orchestra, The VVC Symphonic Orchestra, Chicago Symphony Chorus, Orchestre National de France, Choeurs et Maîtrise de Radio France, Staatskapelle...
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Cavalleria Rusticana & I Pagliacci
Maria Callas (Santuzza), Giuseppe di Stefano (Turiddu), Rolando Panerai (Alfio), Anna Maria Canali (Lola), Ebe Ticozzi (Lucia), Maria Callas (Nedda), Giuseppe di Stefano (Canio), Tito Gobbi (Tonio), Nicola Monti (Beppe), Nicola Monti (Silvio)
Coro e Orchestra del Teatro alla Scala di Milano,...
The sound here is much more confined than on the Karajan set, though more immediate. Serafin conducts swifter-moving performances, yet ones quite as notable as Karajan's for pointing up relevant... —
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Daniel Hope plays Mozart
Daniel Hope (violin), Sebastian Knauer (piano), with Sebastian Knauer (piano)
Camerata Salzburg, Sir Roger Norrington
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Mahler: Song Cycles
Dietrich Fischer-Dieskau (baritone), Daniel Barenboim (piano)
Philharmonia Orchestra, Berlin Philharmonic Orchestra, Wilhelm Furtwängler, Rudolf Kempe
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Puccini: La Bohème
Adelina Scarabelli, Alfonso Antoniozzi, Alfonso Marchica, Carlo Colombara, Daniela Dessi, Gastone Sarti, Giuseppe Sabbatini, Giuseppe Zecchillo, Paolo Gavanelli, Tiziano Tomassone
Orchestra & Chorus of the Teatro Comunale, Bologna, Gianluigi Gelmetti
This live performance is remarkable for Gelmeti's lucid and intense conducting, which lifts the whole thing out of routine into vital freshness. The singers are reasonable, and there's a lot... —
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Very strong accounts from Berglund's second cycle, especially the vigorous First and gigantic Fourth… —
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