Tudor
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Mahler: Symphony No. 2 'Resurrection'
RecommendedAnne Schwanewilms (soprano) & Lioba Braun (contralto)
Bamberg Symphony Orchestra & Bamberg Symphony Choir, Jonathan Nott
Jonathan Nott [reaches] new peaks in his Bamberg cycle...What uplift, rather than crushing weight, in those opening lower-string flourishes...The consoling vision just gets more magical on each... —
Awards:
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Building a Library, May 2010, Featured
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…a clearly-textured but very exciting conclusion, distinguished by first-rate work from wind principals - bassoon especially - and cutting-edge trombones. …much in Nott's reading… sounds genuinely... —
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…this one of the best recorded accounts we've had since Kubelík and Bernstein… Nott, you feel, has got under Mahler's skin; Gergiev is merely offering an impersonation. —
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Gramophone Magazine, August 2008, Editor's Choice
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Relatively early works, the Trios concertants for violin, cello and piano demonstrate some of Franck's initial experimentation with cyclic form and the use of fairly small, self-contained motivic... —
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Presto Favourites, Recommended Recording
Purchase product
Downloads
Audio formats guide -
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Raff: Violin Concertos Nos 1 & 2
Michaela Paetsch Neftel (violin)
Bamberg Symphony Orchestra, Hans Stadlmair
Purchase product
CD
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The Sinfonias, variously scored for flutes, oboes, bassoon and horns, are sparkling affairs which demonstrate Hertel’s gift as a colourist. The Scherzo of the G major Sinfonia, with its decidedly... —
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Ticciati has [the Serenade's] measure, finding more light and shade in the work than some other conductors..The Haydn Variations is beautifully done, most of the variations nicely characterised,... —
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George Frideric Handel: Il Trionfo della Musica | Capriccio Barockorchester. Dominik Kiefer
Capriccio Barockorchester, Dominik Kiefer
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Johann Sebastian Bach: 5 Triosonaten
Orgel Grossmünster Zürich
Hans Vollenweider (Orgel Grossmünster Zürich)
