Arthaus Musik
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Wagner: Götterdämmerung
Live recording from Deutsches Nationaltheater Weimar, 2008
Norbert Schmittberg (Siegfried), Catherine Foster (Brünnhilde), Renatus Mészár (Hagen), Mario Hoff (Gunther), Tomas Möwes (Alberich), Marietta Zumbült (Gutrune), Nadine Weissmann (Waltraute)
Staatskapelle Weimar, Carl St. Clair, Michael Schulz
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R. Strauss: Der Rosenkavalier
Camilla Nylund (Marschallin), Michele Losier (Octavian), Nadine Sierra (Sophie), Gunther Groissbock (Baron Ochs), Roman Trekel (Faninal), Anna Samuil (Marianne), Staatskapelle Berlin, Zubin Mehta, André Heller
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Mariss Jansons conducts Mahler Symphony No. 2
Anja Harteros (soprano) & Bernarda Fink (alto)
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Mariss Jansons
I hadn't taken on board quite how expressive a master Jansons can be: the face and above all the eyes change in an instant through absorption in the Resurrection's drama...These are superlative... —
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Mozart: Le Nozze di Figaro
Stéphane Degout (Il Conte), Eleonora Buratto (Contessa), Christiane Karg (Susanna), Alex Esposito (Figaro), Marianne Crebassa (Cherubino), Katharine Goeldner (Marcellina), Umberto Chiummo (Bartolo), Krystian Adam (Basilio), Chorus of Dutch National Opera, Netherlands Chamber Orchestra, Ivor Bolton
Bolton is observant in conveying the detail of the score, drawing clean, clear textures from the Netherlands Chamber Orchestra...Bösch’s production is more of a mixed quantity...Figaro is a... —
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Luigo Nono, Intolleranza 1960
Sean Panikkar, Sarah Maria Sun, Anna Maria Chiuri, Antonio Yang, Musa Ngqungwana, Victor Afung Lauwers, Wiener Philharmoniker (orchestra), Ingo Metzmacher (conductor)
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Opera Highlights Volume 3
The Finest Singers of our Day Explaining and Performing their Favourite Arias
Kiri Te Kanawa, Bryn Terfel, Yvonne Kenny & Christine Schäfer
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Arthaus gives us her two performances of Bach's Goldberg Variations, recorded in different locations by the greatly gifted Andrea Bacchetti… the overall impact of both these performances - for... —
