Stradivarius
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With their exuberant imitative counterpoint, these early pieces are wonderfully fluent and direct, and it's easy to hear why Marenzio's settings were so widely admired, and how much Monteverdi... —
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Vivaldi: Concerti a due Organi
Margherita Gianola & Silvio Celeghin (organs of the Basilica dei Frari, Venice (G. Callido, 1795/96 - G. B. Piaggia, 1732)) & Luca Mares e Matteo Marzaro (solo violins)
Accademia di Sam Rocco, Francesco Fanna
Despite the lack of 100% violinistic élan this is a recording which has plenty of fine moments, and Vivaldi’s music is always entertaining. The character and sonority of the organs is well captured,... —
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Gervasoni: Least Bee
Margherita Chiminelli (soprano) & Sonia Turchetta (mezzo-soprano)
Divertimento Ensemble, Sandro Gorli
In both [vocal works], Gervasoni matches the literary imagery with wonderfully vivid instrumental gestures...The three purely instrumental works are less vivid, but still finely crafted; there's... —
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Beethoven: Chamber Works for Flute & Fortepiano
Enrico Di Felice (flute), Francesco Giammarco (fortepiano)
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Huber: Works for Flute
Magid El-Bushra (counter-tenor), Jean-Luc Menet (alto flute), Caroline Delume (theorbo), Jean-Luc Menet (flute), Jean-Luc Menet (bass flute)
Ensemble Alternance
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Geminiani, F: Second Collection of Pieces for the Harpsichord, 1762
Francesco Baroni (harpsichord), Francesco Baroni (organ)
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Cavalieri: Rappresentatione di anima e di corpo (Play of Soul and of Body)
Antonio Abete (bass), Guiseppe Maletto (tenor), Gemma Bertagnolli (soprano), Claudio Cavina (alto)
Le Istituzioni Harmoniche di Verona, Ensemble di viole dell'Accademia Strumentale Italiana, Marco Longhini
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