Sony
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Hans Zimmer: The Classics
Lang Lang, Amy Dickson, The Piano Guys, 2Cellos, Leona Lewis, Till Bronner, Lindsey Stirling
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Haydn: Symphonies Nos. 82 - 87 (the Paris Symphonies)
New York Philharmonic Orchestra, Leonard Bernstein
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The Best of Glenn Gould's Bach
RecommendedGlenn Gould (piano), Glenn Gould (organ)
Columbia Symphony Orchestra, Vladimir Golschmann
The ‘Best of Glenn Gould’s Bach’ has some of his greatest Bach recordings, an interesting and well written essay on Gould’s Bach, and as a real bonus a DVD of the complete 1981 Goldberg Variations... —
Awards:
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Presto Recording of the Week, 24th September 2012
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I think we’ve reached the pinnacle of Zimmer live albums now – this is the third since 2017, though probably the most impressive of the bunch. —
Awards:
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Opus Klassik Awards, 2023, Nominated - Composer of the Year
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Brahms: Double Concerto & Clara Schumann: Piano Trio
Anne-Sophie Mutter (violin), Pablo Ferrández (cello), Czech Philharmonic Orchestra, Manfred Honeck, Lambert Orkis (piano)
The finale [of the Brahms] is the most successful part of the performance, with buoyancy in the Hungarian-flavoured rondo theme, and contrast projected but not overdone in the episodes...Clara... —
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Thielemann inclines to the Romantics. Like all too many conductors, he ignores Bruckner’s marking of two slow beats per bar in the calmly pacing opening paragraph...the recorded sound strikes... —
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Ma's sound in this album has a rather lived-in quality, golden allure replaced by gritty articulacy. Physical exertion and goal-driven intensity give way to nonchalant calm. This works in a... —
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Mahler: Das Lied von der Erde
Christian Gerhaher (baritone), Piotr Beczala (tenor), Gerold Huber (piano)
Bereft of its orchestral colouring it surely presents a formidable challenge. Yet the plasticity of Gerhaher’s story telling is enhanced as, freed from breasting a large ensemble with exaggerated... —
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Emanuel Ax plays Haydn Sonatas and Concertos
RecommendedEmanuel Ax (piano)
Franz Liszt Chamber Orchestra
There is no period-instrument rethinking here; instead, big-boned, handsomely played interpretations bring out Haydn's pre-Beethoven side. —
Awards:
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Grammy Awards, 37th Awards (1994), Best Classical Instrumental Solo Recording
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Grammy Awards, 46th Awards (2003), Best Classical Instrumental Solo Recording
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