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Antonin Tucapský: Violin concerto & Viola Concerto
Víteszlav Kuzník (violin), Pavel Perina (viola)
Janácek Philharmonic Orchestra, Prague Symphony Orchestra, Petr Vronský, Elli Jaffe
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In terms both of precise co-ordination and engaging interplay, the performances are state-of-the-art. —
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Bizet: L’Arlésienne, Op. 23
Jacques Noureddine (soloist), Antxon Ayestarán (chorusmaster), Jon Tolansky (narrator), Orchestre du Capitole de Toulouse, Orfeon Donostiarra, Michel Plasson
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Habanera: Music For Eight Cellos and Voice
Ana Beard Fernández (soprano), Roderick Williams (baritone), Iain Hall (recorder), The Endellion Cellists,
William Vann
Ana Beard Fernández shines throughout with her clear, warm but light voice that eloquently weaves over the harmonies and is suitably acrobatic in the second movement ‘Danca’, performed here... —
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Through this medium, one hears many strands and voices not always noticeable, particularly true of the last movement...perhaps surprisingly, the finale is simply tremendous, a tour de force... —
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The Songs of Edward Elgar
Catherine Wyn-Rogers (mezzo-soprano), Malcolm Martineau (piano), Neil Mackie (tenor), Christopher Maltman (baritone)
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Penelope Thwaites: Chamber Music
Gardens, Fables, Prisons, Dreams
Tippett Quartet (string quartet), Penelope Thwaites (piano), Benjamin Frith (piano), John Mills, Bozidar Vukotic, Laurence Ungless
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Leaving frantic and over-pressured playing to others, Leon McCawley finds a delicate emotional fervour with no lack of drama in Rachmaninov's 24 Preludes. —
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