Signum
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Rouvali’s tempos are sometimes on the breathless side – his Garland Waltz would be a tough assignment for even the finest corps de ballet – and one senses him getting caught up in the sweep... —
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Most sterling of British pianists, he leaves high-flying virtuosity to others and his impeccable technique and musicianship make a superb case for a choice of works that, significantly, stresses... —
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James Joyce Chamber Music Vol. I.
Kenneth Edge, Solstice Ensemble, The Choral Scholars of University College Dublin, Seamus Wylie, Geraldine O'Doherty, Emily Doyle (soprano), David Agnew, Simon Morgan (baritone), Glenn Murphy (tenor), Michael Driscoll (tenor), Max O'Neill (tenor), Kiri O'Neill (soprano), Cormac Ó hAodáin, Seoirse...
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Special offer. The A-Z of Mozart Opera
Rebecca Bottone, Klara Ek, Martene Grimson, Susan Gritton, Anna Leese (soprano), Cora Burggraaf (mezzo), Allan Clayton, Andrew Staples (tenor), Mark Stone (baritone), Matthew Rose (bass)
The Mozartists, Ian Page
performed with skill and grace under the able direction of Ian Page. —
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Blending ‘folk’ voices with choral precision tight harmony isn’t easy but Desmond Earley has a passionate stake in both and doesn’t put a foot wrong here. —
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Roth’s music is striking for its rich, beautifully crafted choral textures, ecological and metaphysical subject matter, and references to the great heritage of European choral music...Earthrise... —
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Into the Light is a typically imaginative recital, ranging from a doo-wop-tinged I saw three ships to an achingly gorgeous take on Joni Mitchell’s ‘River’, with Paul Scholtz and Jacob Christopher... —
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Rebecca Dale: Night Seasons
Steven Isserlis (cello), Richard Harwood, Ben Dawson, Victoria Meteyard (soprano), Ben Russell, Klara Romac, Tom Walley, Olivia Jageurs, Rebecca Lea (soprano), Rosanna Wicks (soprano), Guy Johnston (cello), Richard McVeigh, Philharmonia Orchestra, Tenebrae, Michael Collins, Nigel Short
Dale’s skills are best expressed in the titular concerto ‘Night Seasons’...The piece as a whole is by turn penetrating and genuinely poignant, and certainly makes this release worth owning. —
