Seattle Symphony Media
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There are some imaginative touches, especially from the winds. In bringing the puppets to life the Showman’s magical flute solo is not to be rushed…this clean and dextrous live account, shorn... —
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Raskatov: Piano Concerto 'Night Butterflies' & Stravinsky: The Rite of Spring
live recordings
Tomoko Mukaiyama (piano)
Seattle Symphony Orchestra, Ludovic Morlot
Brilliantly orchestrated, this is as much a concerto for members of the Seattle Symphony orchestra as much as for the soloist...There is much that is excellent about Morlot and the Seattle Symphony's... —
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Berio: Sinfonia, Boulez: Notations I-IV & Ravel: La Valse
Seattle Symphony, Roomful of Teeth, Ludovic Morlot
To be clear, the lucidity in this performance is not simply due to the miking; Morlot is, as always, a punctilious conductor…Boulez’s Notations are similarly articulate…That there’s very little... —
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Coming soon. Qigang Chen: Iris Dévoilée (Iris Unveiled) & L'Éloignement
Xian Zhang, Seattle Symphony Orchestra
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George Walker: Sinfonia No. 5 'Visions' (Version for Voices & Orchestra) [Live]
Shaina Shepherd (vocals), Stephen Newby (vocals), Ed Morris (vocals), Clayton Brainerd (vocals), Seattle Symphony Orchestra, Thomas Dausgaard
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Ives: Symphonies Nos. 3 & 4, The Unanswered Question & Central Park in the Dark
Seattle Symphony Orchestra, Seattle Symphony Chorale, Ludovic Morlot
Ludovic Morlot is clearly a master of the material and of his excellent Seattle Symphony forces. He delivers convincing accounts of the brooding, questioning Prelude, the volatile and tumultuous... —
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Fauré: Masques et bergamasques & Pelléas et Mélisande
Demarre McGill (flute), Alexander Velinzon (violin), Efe Baltacigil (cello)
Seattle Symphony Orchestra, Seattle Symphony Chorale, Ludovic Morlot
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Dutilleux: Orchestral Works Volume 1-3
Xavier Phillips (cello), Augustin Hadelich (violin), Mary Lynch (oboe), Jordan Anderson (double bass), Mahan Esfahani (harpsichord), Michael A. Werner (percussion), Chester Englander (cimbalom)
Seattle Symphony Orchestra, Ludovic Morlot
Impeccable orchestral playing under the stewardship of a conductor whose instinct for Dutilleux’s harmonic and gestural sensibilities feels unerringly spot-on —
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Berlioz: Grande Messe des Morts, Op. 5 (Requiem)
Kenneth Tarver (tenor), Seattle Symphony, Seattle Symphony Chorale, Ludovic Morlot
Morlot keeps moving forwarded, seeking drama. —
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$19.00