Seattle Symphony Media
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Messiaen: Poèmes pour Mi and 3 Petites liturgies de la Présence Divine
Jane Archibald (soprano), Cynthia Millar (ondes martenot), Michael Brown (piano)
Seattle Symphony Orchestra, Northwest Boychoir, Ludovic Morlot
In Poèmes pour mi, Jane Archibald’s soprano is full of rapture but never indulgent. The effect of ethereal boys’ voices, rather than women’s voices indicated by the score, is otherworldly. —
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Langgaard: Prelude to 'Antichrist' & R. Strauss: An Alpine Symphony
Seattle Symphony Orchestra, Thomas Dausgaard
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Trimpin: Above, Below and in Between (Live)
Trimpin (instruments), Jessika Kenney (soprano)
Seattle Symphony Orchestra, Ludovic Morlot
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Special offer. Ives: New England Holidays & Orchestral Sets Nos. 1 & 2
Seattle Symphony Orchestra, Seattle Symphony Chorale, Ludovic Morlot
The Seattle Symphony Orchestra captures the dreamlike state, taking on the different characters as the narratives weave in and out of the overreaching story of revolution. —
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Messiaen: Des canyons aux étoiles... ('From the Canyons to the Stars...')
Steven Osborne (piano), Jeffrey Fair, Matthew Decker, Michael A. Werner, Seattle Symphony Orchestra, Ludovic Morlot
Its sound a model of focus and lucidity, with informative notes from Paul Schiavo, this latest version can be confidently recommended for admirers and newcomers alike...As to soloists, Steven... —
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Spidery col legno strings nag as the firebird begs to be released, and Morlot’s princesses sparkle in their innocent game with the golden apples. The ‘Round Dance’ flows, strings sighing plaintively,... —
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Ian Bostridge sings Berlioz, Ravel and Debussy/Adams
Les nuits d'été, Shéhérazade, Le livre de Baudelaire (After Debussy's L. 64)
Ian Bostridge (tenor), Seattle Symphony Orchestra, Ludovic Morlot
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Special offer. Ives: Symphony No. 2, Carter: Instances & Gershwin: An American in Paris
Seattle Symphony Orchestra, Ludovic Morlot
the American disc is a must for the recording of the premiere of Carter's Instances, his last orchestral work...A marvellous piece, superbly played. —
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There are some imaginative touches, especially from the winds. In bringing the puppets to life the Showman’s magical flute solo is not to be rushed…this clean and dextrous live account, shorn... —
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Berlioz: Requiem, Op. 5, H. 75 & La mort d'Orphée, H. 25 (Live)
Kenneth Tarver (tenor)
Seattle Symphony Chorale, Seattle Pro Musica, Ludovic Morlot
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