RCA
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Beautifully polished and immaculately phrased renditions in the Romantic tradition. The Tokyo's structural clarity tends to underplay the music's undercurrent of achingly poignant despair. —
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Mozart: Die Zauberflöte, K620
Peter Schreier (Tamino), Helen Donath (Pamina), Günther Leib (Papageno), Sylvia Geszty (Königin der Nacht), Theo Adam (Sarastro), Siegfried Vogel (Sprecher), Harald Neukirch (Monostatos), Renate Hoff (Papagena), Hanne-Lore Kuhse, Gisela Schröter, Annelies Burmeister (Drei Damen)
Dresdner Staatskapelle,...
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Orff: Carmina Burana
Lucia Popp (soprano), John van Kestern (tenor), Hermann Prey (baritone)
Munchner Rundfunkorchester, Kurt Eichhorn
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Vesselina Kasarova - Sento Brillar
Arias for Carestini
Vesselina Kasarova (mezzo soprano)
Il Complesso Barocco, Alan Curtis
This is singing of great nobility and expressive power, accompanied by instrumental work of exceptional dignity from Il Complesso Barocco. Deeply touching and highly recommended. —
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Daniel Taylor - The Voice of Bach
Daniel Taylor (counter tenor), Agnes Zsigovics (soprano), Theatre of Early Music
…is chamber music-making of high seriousness and high integrity that allows Bach's timeless music to speak for itself. —
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Verdi: La Traviata
Montserrat Caballé (Violetta), Carlo Bergonzi (Alfredo), Sherrill Milnes (Germont), Dorothy Krebill (Flora), Nancy Stokes (Annina), Fernando Iacopucci (Gastone), Harold Enns (Dottore Grenvil), Gene Boucher (Barone Douphol), Thomas Jamerson (Marchese d'Obigny)
RCA Italiana Orchestra and Chorus,...
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