RCA

Recording in the studio, rather than at a live concert, quite naturally leads to a safe and uniform approach, which doesn't really serve the inspired inventiveness of the music. In some ways... — Gramophone Classical Music Guide, 2010More…

Evgeny Kissin's playing at 21 (when these performances were recorded) quite easily outmatches that of the young Ashkenazy and Pollini – and most particularly in terms of the maturity of his... — Gramophone Classical Music Guide, 2010More…

In many ways, Debussy's piano music finds its rightful home on the harp. Apart from the distinctive textural and colouristic elements in the writing itself, we have contemporary accounts of... — Gramophone Classical Music Guide, 2010More…