Piano Classics
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[Ostersonate] a work of tremendous emotional depth, whether in the serene beauty of the opening of the second movement...or in the shocking vehemence that opens the finale or in the surprising... —
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Cipelli is at her best in out-and-out romps such as the ‘Caprice italien’ from the Napoli suite or in the impertinently witty miniature Valse-improvisation sur le nom de Bach. —
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Marsida Koni appears to be the ideal exponent for this music, equally at home in the nostalgic and romantic numbers, never reducing anything to mere sentimental schmaltz, and with a technique... —
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