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The exclusively 20th-century programme presents great challenges to Reinhold Friedrich and Iveta Apkalna which they meet with tremendous brilliance and élan. …it's fascinating to hear the constantly... —
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Schubert - Two Singspiele
Aga Mikolaj, Stephan Genz, Andreas Karasiak & Thomas Jakobs
Chorus Musicus Köln & Das Neue Orchester, Christoph Spering
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Glory and Damnation
Arrangements for Piano Duo by Heribert Breuer
Friedrich Thomas & Hansjacob Staemmler (piano)
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Krenek: What Price Confidence, Chamber Opera in nine scenes, Op.111
Ilana Davidson (soprano), Susan Narucki (soprano), Richard Clement (tenor), Christopheren Nomura (baritone) & Linda Hall (piano
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The delectable No 5 receives a near-ideal performance, with lovely woodwind, an equality of strings and wind, and a lightness of touch that period-instrument players couldn’t better. The account... —
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Amy Beach: Rendezvous - Love songs of the Belle Epoque Era
World Première Recordings
Jörg Waschinski (soprano)
Meininger-Trio
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Kraus - La Primavera
Cantate Per Una Primadonna
Simone Kermes (soprano)
L’Arte del Mondo, Werner Ehrhardt
Simone Kermes is compellingly dramatic in both pacing and expression, equally effective in stage whispers, snarling jealously and a heavenly cantabile. —
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