Orfeo
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Janáček: Osud (Fate)
Peter Straka (Zivny), Lívia Ághová (Siecna Mila), Marta Benacková, Stefan Margita (Dr. Suda), Peter Mikulas (Lhotsky), Ivan Kusnjer (Konecny), Ludmila Nováková-Vernerová (Miss Stuhlá/Soucková), Martina Straková (Frau Radová), Vera Pribylová (Majorová), Dagmar Masková (Fanca), Lubomir Moravec (Doubek),...
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Special offer. Wagner: Die Meistersinger von Nürnberg
Theo Adam (Sachs), Gwyneth Jones (Eva), Janis Martin (Magdalene), Waldemar Kmentt (Walther), Hermin Esser (David), Thomas Hemsley (Beckmesser) & Karl Ridderbusch (Pogner)
Choir and Orchestra of the Bayreuth Festival, Karl Böhm
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Wagner: Parsifal
Jon Vickers (Parsifal), Hans Hotter (Gurnemanz), Thomas Stewart (Amfortas), Gustav Neidlinger (Klingsor), Barbro Ericson (Kundry), Heinz Hagenau (Titurel), Anja Silja, Dorothea Siebert, Liselotte Rebmann, Rita Bartos, Else-Margrete Gardelli, Sylvia Lindenstrand (flower maidens) & Ruth Hesse (voice...
The (to date) 11 released recordings of Hans Knappertsbusch's Parsifal performances at Bayreuth between 1951 and 1964 constitute a unique record of one conductor's work on a favoured score in... —
Awards:
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Gramophone Magazine, January 2008, Editor's Choice
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Glazunov: The Symphonies
Bamberger Symphoniker, Symphonieorchester des Bayerischen Rundfunks, Neeme Järvi
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Verdi: Don Carlos (Five-act French version)
Ramón Vargas (Don Carlos), Alastair Miles (Philippe II), Bo Skovhus (Rodrigue), Nadja Michael (La Princesse Eboli), Iano Tamar (Elisabeth de Valois), Simon Yang (Le Grand Inquisiteur), Cornelia Salje (Thibault), Dan Paul Dumitrescu (Un Moine), Benedikt Kobel (Le Compte de Lerme), Inna Los (Un Voix...
This is an issue of major importance, which all lovers of Verdi should acquire, since it will enable them to hear about 45 minutes of his most mature music which is otherwise not available…... —
Awards:
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BBC Music Magazine, January 2006, Opera Choice
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Special offer. Bizet: Djamileh
Lucia Popp (Djamileh), Franco Bonisolli (Haroun), Jean Philippe Lafont (Splendiano), Jacques Pineau (Le Marchand d'esclaves)
Munich Radio Symphony Orchestra, Lamberto Gardelli
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Müller-Schott is sympathetic and perfectly satisfying in his own way, until you hear, say, Glazunov’s elegiac Chant du ménestrel from Rostropovich, who goes beyond Romantic plaintiveness into... —
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