Orfeo
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Special offer. Bizet: Carmen
Christa Ludwig (Carmen), James King (Don José), Eberhard Waechter (Escamillo), Jeanette Pilou (Macaëla), Lucia Popp (Frasquita), Margarita Lilova (Mercédès), Oskar Czerwenka (Zuniga), Reid Bunger (Moralès), Murray Dickie (Remendado) & Erich Kunz (Dancaïre)
Lorin Maazel
In this 1966 live recording conductor Lorin Maazel adopts some rather extreme tempi, for instance rather stately in the introduction to the Toreador's song, but elsewhere seeming a bit rushed.... —
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Mozart: Deutsche Dances, Symphony No. 36 & Piano Concerto No. 22
Alexander Lonquich (piano, direction)
Mozarteum Orchester Salzburg
Lonquich makes a better job of his dual role than many other pianists who try this approach...Under [his] direction, the string sonority of the Mozarteum Orchester Salzburg is supple and svelte... —
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Special offer. Verdi: Luisa Miller
Lilian Sukis (Luisa), Giuseppe Taddei (Miller), Bonaldo Giaiotti (Graf von Walter), Franco Bonisolli (Rodolfo), Christa Ludwig (Federica), Malcolm Smith (Wurm), Milkana Nikolova (Laura) & Horst Nitsche (Bauer)
Chorus & Orchestra of the Vienna State Opera, Alberto Erede
Worth looking at...the cast includes Franco Bonisolli's visceral Rodolfo, Bonadlo Giaiotti's reliable Walter, Christa Ludwig's forthright Federica and Giuseppe Taddei's slightly worn Miller,... —
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Strauss, R: Ariadne auf Naxos
Gundula Janowitz (Ariadne), Agnes Baltsa (Komponist), James King (Bacchus), Edita Gruberova (Zerbinetta), Erich Kunz (Haushofmeister), Walter Berry (Musiklehrer), Barry McDaniel (Harlekin), Kurt Equiluz (Scaramuccio), Manfred Jungwirth (Truffaldin), Gerhard Unger (Brighella), Hilda de Groote (Najade),...
Agnes Baltsa is a pert, ultra-stylish Composer...Trusting in his fine male cast, Bohm (in what one may call 'late style') allows the Harlequin accompaniments to become very bar-room - apt, and... —
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Schulhoff: Landschaften, Op. 26, WV 44, etc.
Doris Soffel (mezzo soprano), Michael Rische (piano)
Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
