Orfeo
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Schumann: Dichterliebe & Liederkreis opp. 24 & 39
RecommendedPeter Schreier (tenor), András Schiff (piano)
Awards:
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Building a Library, June 2010, Featured
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Verdi: Arias
Piotr Beczala (tenor), Ewa Podles (contralto), Mariusz Kwiecien (baritone)
Polish Radio Symphony Orchestra, Lukas Borowicz
The Polish tenor's move into a heavier repertoire than hitherto associated with him is amply vindicated in this celebratory CD...he retains the golden quality of his voice as he sizes up. The... —
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BBC Music Magazine, July 2013, Opera Choice
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Beethoven: Symphony No. 9 in D minor, Op. 125 'Choral'
Gundula Janowitz (soprano), Grace Bumbry (mezzo), Jess Thomas (tenor), George London (bass)
Chor und Orchester der Bayreuther Festspiele, Karl Bohm
In the firm momentum, sleek moulding and Classically wind-heavy balancing of the inner movements may be detected the ghostly hand of Richard Strauss upon his friend’s shoulder. In the second... —
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Diapason d’Or, July/August 2018, Collectionneur
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Special offer. Egk: Die Irische Legende
Inge Borkh, Margarete Klose, László Szemere, Kurt Böhme, Walter Berry, Gottlob Frick
Wiener Philharmoniker, Chor der Wiener Staatsoper, George Szell
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Brahms: Ein Deutsches Requiem, Op. 45
RecommendedMargaret Price (soprano) & Thomas Allen (baritone)
Chor und Orchestra des Bayerischen Rundfunks, Wolfgang Sawallisch
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Building a Library, September 2012, First Choice
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[Nelsons] knows he can ask anything of his players...Nelsons attacks when necessary with full-throttle precipitation...the shadowlands are even more sustained, highlighting the restless lover's... —
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Gramophone Magazine, July 2014, Editor's Choice
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Angela Hewitt joins the equally period-sensitive Daniel Müller-Schott in performances which lead the field for performances on cello and piano. —
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Gramophone Magazine, Awards Issue 2007, Editor's Choice
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Wagner: Der fliegende Holländer
Ludwig Weber (Daland), Astrid Varnay (Senta), Wolfgang Windgassen (Erik), Elisabeth Schärtel (Mary), Josef Traxel (Der Steuermann) & Hermann Uhde (Der Holländer)
Chorus & Orchestra of the Bayreuth Festival, Hans Knappertsbusch
Maestro Knappertsbusch is on the concentrated form of his 1951 Munich Tristan. …all is steely strength, realised through dynamic sensitivity and spacious tempi… Any suspicion that Astrid Varnay…... —
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Gramophone Magazine, February 2010, Editor's Choice
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Handel: Acis and Galatea
RecommendedRobert Gambill, Anthony Rolfe Johnson, Robert Lloyd & Edith Mathis
ORF Symphony Orchestra and Chorus, Peter Schreier
Awards:
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Building a Library, March 2000, Also Recommended
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…possibly the most compelling recorded performance of Max Reger's only surviving piano concerto… The performance marries drama with poetry in an ideal proportions: Erdmann's timing is just... —
Awards:
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Gramophone Magazine, October 2007, Editor's Choice
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