Orfeo
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Schubert: Lazarus, D689
Edith Mathis (soprano), Cornelia Wulkopf (mezzosoprano), Hanna Schwarz (alto), Werner Hollweg (tenor), Horst Laubenthal (tenor) & Hermann Prey (baritone)
Sündfunkchor Stuttgart & Radio-Sinfonieorchester Stuttgart, Gabriel Chmura
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Special offer. Verdi: Falstaff
Walter Berry (Falstaff), Giorgio Zancanaro (Ford), Francisco Araiza (Fenton), Heinz Zednik (Doctor Caius), Wilfried Gahmlich (Bardolfo), Rudolf Mazzola (Pistola), Pilar Lorengar (Alice), Patricia Wise (Nanetta), Christa Ludwig (Mistress Quickly) & Alexandrina Milcheva (Meg Page)
Chorus...
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Leister has never been known as a technician per se, but here he shows a transcendent technique in these difficult concertos. He is never flashy, though; indeed, his playing is perhaps understated... —
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The late South African tenor is never less than impressive, negotiating even the most taxing vocal lines smoothly and stylishly. The voice is focused and well supported throughout its range:... —
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Bartók: Violin Concerto No. 2 & Rhapsodies for Violin
Baiba Skride (violin)
WDR Sinfonieorchester Köln, Eivind Aadland
I like Skride’s finale best. Her technical prowess and agility enable her to lighten her bow and tone in order to bring out the folkdance character of the music. Even in the heavy, boot-stomping... —
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Poetry, power, and passion are all here, to an unquestionable degree. There were more times when I was struck by the piano’s beautiful tone than the cello’s, but at 44 Müller-Schott has grown... —
