Opus Arte
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The Sweet and Merry Month - Music For May Morning
The Clock of Magdalen College, Oxford, Max Thomas (treble), Benjamin Seward (treble), Luke Rowe (treble), Henry Isaacs (treble), Leo Dolan (treble), Myron Buist (treble), Benjamin Watkins (bass), Sebastian Hill (tenor), Milo Hodgkiss (tenor), Matthew Pope (tenor), Samuel Thyr (alto), Owen Huxford...
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James Whitbourn's singers, seasoned yet still young, robustly engage with compositions that many groups treat with bloodless reverence...Those who like their Tavener pure and ethereal should... —
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Wagner: Der Ring des Nibelungen - Great Scenes
Recorded live at the Bayreuth Festival, Germany, in 2008
Das Rheingold
Albert Dohmen (Wotan), Andrew Shore (Alberich), Arnold Bezuyen (Loge), Gerhard Siegel (Mime), Michelle Breedt (Fricka), Kwangchul Youn (Fasolt), Hans-Peter König (Fafner), Christa Mayer (Erda), Edith Haller (Freia), Ralf Lukas (Donner), Clemens Bieber (Froh),...
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Often her first priority with making expressive points is tone. It's hard to blame her because she has so much of it that one could almost mistake her for a mezzo-soprano...When Fauré pares... —
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Coming soon. Bizet: Carmen
Aigul Akhmetshina (Carmen), Piotr Beczała (Don José), Olga Kulchynska (Micaëla), Kostas Smoriginas (Escamillo), Orchestra and Chorus of the Royal Opera House, Antonello Manacorda, Damiano Michieletto
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Coming soon. Frederick Ashton's La Fille Mal Gardée
Francesca Hayward (Lise); Marcelino Sambé (Colas); Joshua Junker (Alain); James Hay (Widow Simone); Christopher Saunders (Thomas), Royal Opera House, Jonathan Lo
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Puccini: Tosca
Zinka Milanov (Tosca), Franco Corelli (Cavaradossi), Giangiacomo Guelfi (Scarpia), Forbes Robinson (Il Sagristano), Michael Langdon (Cesare Angelotti), David Tree (Spoletta), Ronald Lewis (Sciarrone), Noreen Berry (Un pastore), Rhydderch Davies (Un carceriere)
Covent Garden Orchestra, Covent...
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Anthony Michaels-Moore: Songs Of The Sea & Songs Of Travel
Anthony Michaels-Moore (baritone) & Michael Pollock (piano)
Michaels-Moore records the piano version [of the Stanford], throwing the burden of colour and expression on to the voice with considerable success...with Michael Pollock offering fluent support... —
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There's nothing like a tenor strutting his stuff; and it's all there when the young Mexican Jesus Leon tackles 'Amici miei'...Leon leaps up to that closing trio of top notes with all the swaggering... —
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