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Best Of Chopin
Hortense Cartier-Bresson, Pierre Fouchenneret (violin), Julien Gernay, Pablo Schatzman, Maja Bogdanovic, Eckhard Rudolph, François Chaplin, Bruno Rigutto (piano), Ophelie Gaillard (cello), Edna Stern (piano)
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František Tůma: Motets, Dixit Dominus & Sinfonia
Andreas Scholl, Czech Ensemble Baroque, Roman Válek
This collection offers the listener a handsome conspectus of Tůma’s talents, performed with plenty of enthusiasm and stylistic understanding. The brief motet for the opening St John the Baptist... —
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Liszt: Legends of the Saints, Vol. 2
Sunhae Im (soprano), Martin Haselböck (organ), Sofia Vinnik, Gottlieb Wallisch (piano), Joris Verdin (organ), Stephanie Houtzeel, Thomas Hampson (baritone), Chorus sine nomine, Tina Zerdin, Balász Szabó, Balász Máté, Ilia Korol, Wiener Akademie
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Grétry: Raoul Barbe Bleue
Orkester Nord (soloist), François Rougier (soloist), Matthieu Lécroart (soloist), Chantal Santo-Jeffery (soloist), Eugénie Lefebvre (soloist), Chantal Santon-Jeffery (soloist), Marine Lafdal-Franc (soloist), Enguerrand de Hys (soloist), Jérôme Boutillier (soloist), Manuel Nunez Camelino (soloist),...
They do Grétry proud, with the ensemble’s playing first-rate and conductor Martin Wåhlberg maintaining consistently dynamic tempos. This is essentially an ensemble piece, and a capable company... —
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Alessandro Scarlatti: Il Martirio di Santa Teodosia
Emiliano Gonzalez Toro (soloist), Renato Dolcini (soloist), Anthea Pichanick (soloist), Emmanuelle de Negri (soloist), Les Accents, Thibault Noally
Emmanuelle de Negri sounds distinctly older than Teodosia’s tender teenage years; but, given Scarlatti’s athletic vocal demands that’s no bad thing. It’s quite a sing and she takes on the feisty... —
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Mozart: Symphonies Nos. 29 & 40, Oboe Concerto
Ivan Podyomov (oboe), Il Pomo d'Oro, Maxim Emelyanychev
In the Oboe Concerto, the supple and beautiful tone conjured by Ivan Podyomov (from a modern copy of a period instrument) is as appealing as his poised musicianship. —
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