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[Rousset’s] is a grounded, incontestably considered reading, exuding a quiet, unflappable authority reminiscent of Gustav Leonhardt…he untangles Bach’s protean polyphony with the informed illumination... —
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Charpentier: David et Jonathas, H.490
Clément Buonomo, Les Temps Présents, Dominique Serve, David Witczak, Jean-François Lombard, Edwin Crossley-Mercer (baritone), Les Pages du Centre de musique baroque de Versailles, Les Chantres du Centre de Musique Baroque de Versailles, Clément Debieuvre, Charles Gluchowski, Jean-François Novelli,...
The recording uses children’s and men’s voices only, replicating the sounds and the circumstances of the work’s first performance at the allmale college. This approach works best in the dramatic... —
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The quality of music-making on the disc is very solid… Seriously, this is good quality music making and lovely to listen to. —
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Lully: Phaéton
Emiliano Gonzalez Toro (Phaéton), Ingrid Perruche (Clymène), Isabelle Druet (Théone, Astrée), Gaëlle Arquez (Libye), Andrew Foster-Williams (Épaphus), Frédéric Caton (Mérops, Automne, Jupiter), Benoît Arnould (Protée, Saturne), Cyril Auvity (Triton, le Soleil)
Les Talens Lyriques, Christophe...
Perruche's Clymène is exquisitely sung, showing a command of ornamentation and full of passion. In general, all of the solo roles are dlivered with dramatic conviction and a strong sense of... —
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Rousset plays all with dexterous fluency and stylistic assurance, and the harpsichord's character is vividly enlivened by the excellent recording —
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Beautifully poised ensemble playing which revels in the extraordinary inventiveness of the two great Piano Duet Sonatas, but understates their operatic gestures and moments of humour. —
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à madame: divertissement pour adelaïde
Olivier Baumont and Julien Chauvin, Julien Chauvin, Olivier Baumont
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F. Couperin & Forqueray - Pieces de Violes
Atsushi Sakai, Christophe Rousset, Marion Martineau and Isabelle Saint-Yves
