Ondine

The Mørk projects the close-knit solo writing with his customary finesse, and he is no less insightful in the Cello Concerto (2003) dedicated to him. …the Scottish Chamber Orchestra… respond... — Gramophone Magazine, August 2009More…

I imagine not every listener will respond positively to this thoroughly unorthodox recital, in which nothing is quite as its composer intended. What cannot be denied is the passionate engagement... — Gramophone Magazine, May 2015More…

Truls Mørk is top dollar in all key respects, his phrase-shaping sensitively inflected…and his tone production as warm as anyone could wish for…a definite thumbs up for Mørk and Lintu. — Gramophone Magazine, May 2015More…

for all his famously silky tones and deep-brown vocal shading Hvorostovsky does shape the lines meaningfully, and his delivery suits these songs admirably...Not everyone needs to respond to... — BBC Music Magazine, April 2012, 5 out of 5 starsMore…

Not only Sibelius enthusiasts but any lover of piano music will be stimulated by these fascinating transcriptions, their Lisztian virtuosic demands prodigiously met by Sigfridsson...intense... — Sunday Times, 21st August 2011, 4 out of 5 starsMore…

Dima Slobodeniouk and the Finnish Radio Symphony Orchestra are persuasive advocates for a composer with ideas and a distinctive way of voicing them. — The Guardian, 11th June 2015, 4 out of 5 starsMore…