New Classical Adventure
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Liszt: Tasso. Lamento E Trionfo & Le Triomphe Funèbre du Tasse
Orchester Wiener Akademie, Martin Haselböck
Period performances of real interest: Liszt's scoring sounds more focused than on modern instruments. The octane-level of the playing varies (like the music itself). —
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Johann von Herbeck: Symphony No. 4 & Symphonic Variations
Irenee Peyrot (organ)
Hamburg Symphony Orchestra, Martin Haselbock
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From the Cradle to the Grave sounds hauntingly beautiful —
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Humperdinck: Hänsel & Gretel
Susanne Kreusch (Hansel), Bernarda Bobro (Gretel), Irmgard Vilsmaier (Witch), Klaus Kuttler (Peter), Romelia Lichtenstein (Gertrud), Aleksandra Zamojska (Sand-Man and Dew Fairy)
Capella Istropolitana, Musikhaputschule Kinderchor, Blindenmarkt, Martin Haselbock
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