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Designed as a meditation on the Passion story, it's an austere, rather forbidding piece: the style of the motets...harks back to Renaissance polyphony...while the sonatas are far more dramatic...Altogether,... —
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David Philip Hefti: Orchestral Works & Chamber Music
Thomas Grossenbacher (cello), Michel Rouilly (viola), Bettina Sutter (piano)
Tonhalle Orchestra Zurich, Ensemble Amaltea, Amar Quartet, Lucerne Symphony Orchestra, David Zinman, Michael Sanderling
The orchestral works that frame the disc – Klangbogen and the two-movement cello concerto Gegenklang – show Hefti's music commuting between the general and the specific, from amorphous, microtonal... —
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Pinning down Trojahn's personal style from these works is tricky, though. The Third Quartet and the Fragmente...are terse, economical, and impressively coherent, most clearly indebted to the... —
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Bruno Maderna: Complete Works for Orchestra Vol. 3
Carole Sidney Louis (soprano), Thaddeus Watson (flute) & Michael Sieg (oboe)
HR-Sinfonieorchester & Frankfurt Radio Symphony Orchestra, Arturo Tamayo
Tamayo's ear for how the fragments inform the whole is on the button, and those glowing strings, and the soulful extended cor anglais solo, mean this is the Biogramma of choice —
