Vocal, Vocal (Chamber), Buxtehude (composer)
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Hillier’s lovely performance is on a par with the very finest that the Buxtehude discography has to offer —
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Special offer. Dietrich Fischer-Dieskau sings Baroque Arias (1952-1954)
Dietrich Fischer-Dieskau (baritone), Hermann Werdermann (harpsichord), Bertha Krimm (violin), Else Gohrum (violin), Hermann Klaiss (cello), Marianne Ott (violin), Lisedore Praetorius (harpsichord), Marianne Klemm-Ott (viola), Max Schulze (double bass), Hermann Hirschfelder (viola), Fred Schweinfurter...
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De Profundis
Stephan MacLeod (baritone) & François Fernandez (viol, violino piccolo)
Ricercar Consort, Philippe Pierlot
Macleod's voice is as imbued in this music as the Ricercar Consort, whose offerings on Mirare over the years are always exquisitely rendered. —
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Buxtehude - Vocal Works 3
Opera Omnia VII - Arias, Concertos, and Cantatas
Miriam Meyer, Bettina Pahn, Johannette Zomer (soprano), Jörg Dürmüller, Andreas Karasiak (tenor), Bogna Bartosz, Patrick van Goethem, Hugo Naessens (alto) & Donald Bentvelsen, Klaus Mertens (bass)
The Amsterdam Baroque Orchestra & Choir, Ton Koopman
…contains several pieces of outstanding beauty and sterling merit. …the playing and singing… is very good indeed for the most part. Overall, the recording can be warmly commended. —
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Buxtehude - Vocal Works 8
Opera Omnia XVIII
Bettina Pahn (soprano), Dorothee Wohlgemuth (soprano), Miriam Feuersinger (soprano), Maarten Engeltjes (alto), Tilman Lichdi (tenor), Klaus Mertens (bass)
Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman
For all that Buxtehude's vocal writing is pre-eminently singable, it's nonetheless his instrumental palette that grabs the ear...And it's the sheer effortless sparkle and freshness of the playing... —
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Special offer. Freud Und Lust
Buxtehude and Bach
Ryland Angel (countertenor)
The Holy Trinity Bach Players, Rick Erickson
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[Kjellson] controls the music-making magnificently, opting for sensible tempos and consistent clarity both in sung texts and instrumental voices. This release is a model for how choral music... —
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