Chamber, Duos, Glass, P (composer)
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In short, this highly recommendable collection represents a model of imaginative and provocative programming. —
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Special offer. Four Hands
RecommendedAlexandre Tharaud (piano), Bruce Liu (piano), David Fray (piano), Beatrice Rana (piano), Nicholas Angelich (piano), Alexander Melnikov (piano), Bertrand Chamayou (piano), Gautier Capuçon (piano), Juliette (piano), Michel Dalberto (piano), Víkingur Ólafsson (piano), Momo Kodama (piano), Mariam Batsashvili...
One of Tharaud’s aims is to reveal repertoire which has been largely lost, and in this respect he is resoundingly successful...Everything here has charm, and radiates what should always be the... —
Awards:
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Presto Recording of the Week, 10th May 2024
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BBC Music Magazine, July 2024, Instrumental Choice
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Silence
Christoph Sietzen (marimba), Clemens Hagen (violoncello), Academy of Ancient Music, Bogdan Bacanu (marimba)
Awards:
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International Classical Music Awards, 2019, Nominee - Assorted Program
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Special offer. Philip Glass: Three Pieces in the Shape of a Square
RecommendedCraig Morris (trumpet)
Gradus (1968) and Piece in the Shape of a Square (1967) are some of Glass’s earliest compositions, and are seldom heard today. This disc makes a strong case for their revival…Morris’s treatment... —
Awards:
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Grammy Awards, 61st Awards (2019), Nominee - Classical Instrumental Solo
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Awards:
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Diapason d'Or, September 2021, Nouveauté
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Dear Mademoiselle - A Tribute to Nadia Boulanger
Nathanaël Gouin (piano), Astrig Siranossian (cello), Daniel Barenboim (piano)
Astrig Siranossian and Nathanaël Gouin begin their tribute to Boulanger with a thrillingly passionate performance of Piazzolla’s Le Grand Tango...The prize here, in many respects, is Elliott... —
Awards:
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International Classical Music Awards, 2022, Nominated - Chamber Music
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100 Violin Masterworks
Isaac Stern (violin), Itzhak Perlman (violin), Nathan Milstein (violin), Georges Pludermacher (piano), David Garrett (violin), Daniel Hope (violin), Jacques Ammon (piano), Gidon Kremer (violin), Leslie Pearson (organ & harpsichord), Radoslaw Szulc (concertmaster), Lisa Batiashvili (violin), Kammerorchester...
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Wagner’s interpretations are elegant and sensitive, betraying no hint of his instrument’s awkward bulk, but there are few faster or energetic pieces to balance a programme of unrelenting lyricism. —
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