Chamber, Duos, Korngold (composer)
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Sometimes it’s hard, listening to the Eusebius here, to believe that there are only four musicians playing...from their full-blooded yet flexible tone to their intelligent handling of the ebb... —
Awards:
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Record Review, 23rd October 2021, Record of the Week
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BBC Music Magazine, January 2022, Recording of the Month
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He delivers Bloch’s epic Schelomo with magnificent command, tracing its ark from lamentation to shrill anger back to resignation. Michael Sanderling and the Lucerne Symphony Orchestra bring... —
Awards:
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Record Review, 22nd January 2022, Record of the Week
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International Classical Music Awards, 2023, Nominated - Assorted Programs
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Vienne 1900
Eric Le Sage (piano), Zvi Plesser (cello), Daishin Kashimoto (violin), Paul Meyer (clarinet), Emmanuel Pahud (flute)
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Ophélie Gaillard: Exiles
Ophélie Gaillard (cello)
Sirba Octet Members, Orchestre Philharmonique Monte-Carlo, James Judd
Gaillard’s glorious cello playing keeps the emotion raw and immediate throughout the programme, grabbing us by the scruff of the neck with a red-hot interpretation of Schelomo. Her tone is vivid,... —
Awards:
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Presto Editor's Choice, May 2017
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The intrinsic qualities of the music featured here are self-evident. A wonderfully affectionate and strongly characterised performance of Korngold's Much Ado about Nothing suite sets the ball... —
Awards:
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BBC Music Magazine, June 2024, June 2024
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Trails of Creativity: Music from Between the Wars 1918 – 1938
David Frühwirth (violin), Henri Sigfridsson (piano)
Awards:
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Gramophone Magazine, July 2026, Editor's Choice
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Martha Argerich & Friends: Live from the Lugano Festival 2010
Martha Argerich (piano), Renaud Capuçon (violin), Lilya Zilberstein (piano), Sergei Edelmann (piano), Lily Maisky (piano), Nicholas Angelich (piano), Gautier Capuçon (cello), Daniel Rivera (piano), Alissa Margulis (violin), Lucia Hall (violin), Mark Dobrinskji (cello), Nora Romanoff-Schwarzberg (viola),...
The sustained quality of music-making on display here ensures that the collective result is something much more than a high-powered musical love-in...her approach [to the Chopin] is as fresh... —
Awards:
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Gramophone Magazine, June 2011, Editor's Choice
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Capuçon accordingly produces an elegantly sustained, warm sound, inflected by a mediumpaced, medium-width vibrato, and phrases everything to exquisite perfection…Some may prefer something a... —