Choral, Anthems & Motets, Colonna, G P (composer)
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The recording opens with Monteverdi’s Cantate Domino. It gets a captivating and sprightly presentation from the choir, accompanied by chamber organ and lute. —
Awards:
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Gramophone Magazine, September 2024, Editor's Choice
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Special offer. Stabat Mater: Motets to Virgin Mary
Philippe Jaroussky (countertenor), Marie-Nicole Lemieux (contralto)
Ensemble Artaserse
[Jaroussky] creates magical contrasts between full voice and restrained tone...Clearly recorded recorded, if a touch closely, in a beautiful church acoustic, this is a most attractive disc of... —
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Percorsi della musica italiana dal 500 al 700
Patrizia Vaccari (vocals), Alessandra Fiori (vocals), Angela Albanese (vocals), Rebecca Reese (vocals), Laura Alvini (harpsichord), Paolo Pollastri (oboe), Enrico Gatti (violin), Franco Angeleri (fortepiano), Sergio Vartolo (organ)
Ensemble Aurora, Consort Veneto, Ruggiero, Il, Cappella Artemisia,...
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Sacred Handel - Music for the Carmelite Vespers
Musica Antiqua Latina, Coro da Camera Italiano, Giordano Antonelli
The 13-strong Coro da Camera Italiano sing with admirably shaded rhythmical inflections that are let down sometimes by inconsistent tuning. The strings of Musica Antiqua Latina convey characterful... —
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Giovanni Paolo Colonna: Salmi da Vespro per il giorno di. S. Petronio
Jill Feldman (soprano), Marinella Pennicchi (soprano), Patrizia Vaccari (soprano), Claudio Cavina (alto), Graham Pushee (alto), Mario Cecchetti (tenor), Gerd Turk (tenor), Jean-Louis Bindi (bass), Nicholas Isherwood (bass)
Tolz Boys' Choir, San Petronio Cappella Musicale Chorus, Milan La Scala...
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Perti: Messa a 12
Elena Bertuzzi, Francesca Cassinari, Sonia Tedla, Jacopo Facchini, Francesco Giusti, Raphaël Mas, Alberto Allegrezza, Michele Concato, Baltazar Zúñiga, Carlo Bonarelli, Gabriele Lombardi & Abramo Rosalen
Color Temporis Vocal Ensemble, Choir and orchestra of The Cappella Musicale di San...
Perti's music reveals a young and perceptive musical imagination, especially in the constellation of ever-changing solo-voice combinations and the rousing double fugue with which he brings the... —
