Choral, Anthems & Motets, Parry (composer)
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An English Coronation, 1902-1953
RecommendedEdward VII, George V, George VI, Elizabeth II
Gabrieli, Paul McCreesh
Some may find the extensive spoken liturgy excessive but such is Simon Russell Beale’s compelling delivery that the sheer beauty of the words offers a musical diversion of a different kind.... —
Awards:
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Gramophone Magazine, June 2019, Editor's Choice
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Presto Editor's Choice, May 2019
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Diapason d’Or, September 2019, Nouveauté
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Presto Recordings of the Year, Finalist 2019
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Presto Recordings of the Year, Winner 2019
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Limelight Magazine Recordings of the Year, 2019, Nominated - Vocal
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International Classical Music Awards, 2019, Nominee - Choral
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Gramophone Magazine, December 2019, Critics' Choice
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Gramophone Awards, 2020, Finalist - Choral
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It’s the breadth – not just of repertoire but of sound, technique and approach – that makes it so arrestingly excellent… The musicianship here is dazzling, and nowhere more so than in Britten’s... —
Awards:
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Gramophone Magazine, October 2020, Editor's Choice
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Presto Recordings of the Year, Finalist 2020
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Parry: Orchestral and Choral Works
Foreword by HRH The Prince of Wales
Amanda Roocroft (soprano)
BBC National Chorus and Orchestra of Wales, Neeme Järvi
This is breast-swelling stuff...the BBC National Orchestra of Wales gives warmly sympathetic renditions of music which was probably completely unfamiliar to them before the recording sessions.... —
Awards:
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Gramophone Magazine, December 2012, Editor's Choice
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English Hymn Anthems
Alison Balsom (trumpet)
The Choir Of King’s College, Cambridge, Stephen Cleobury
The King's performance [of the Parry] is predictably idiomatic, if a touch carefully preened and respectful...[Ireland's] is a more explicitly dramatic setting, and the singers seem to relish... —
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Gramophone Magazine, June 2015, Editor's Choice
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Special offer. Voices of Thunder - Works for Choir & Organ
The Choir of Magdalen College Oxford, Mark Williams
The installation of a new pipe organ, like any long-awaited new arrival, is always best marked with some kind of celebratory fanfare such as this splendid, generously filled disc...Another triumph... —
Awards:
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Gramophone Magazine, January 2025, Editor's Choice
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Already in Gibbons’s Drop, Drop, Slow, Tears there are numerous indications of the elevated artistry of Paul McCreesh and the 22 singers of his Gabrieli Consort. —
Awards:
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BBC Music Magazine, May 2012, Disc of the month
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I was glad: Sacred Music by Stanford & Parry
RecommendedCarolyn Sampson & David Wilson-Johnson
The King’s Consort & Choir of The King’s Consort, Robert King
a revelation. In the opening Magnificat and Nunc dimittis in A by Stanford, the leanness of gut strings lends edge and urgency to the orchestral writing, which perfectly complements the punchy... —
Awards:
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Presto Recording of the Week, 28th January 2013
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BBC Music Magazine, April 2013, Choral & Song Choice
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Gramophone Awards, 2013, Finalist - Choral
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Parry: I was glad & other choral works
Daniel Cook (organ), Jonathan Brown (bass), Alexander Kyle (treble), David Martin (countertenor), Mark Dobell (tenor), Robert Macdonald (bass)
Westminster Abbey Choir, Onyx Brass, James O'Donnell
O'Donnell's performance of I was glad is hugely expansive and majestic...I'm not sure there isn't an element of overkill...Still, it's difficult to resist the spine-tingling monumentalism of... —
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It's when the pedal goes down (literally and metaphorically) that this disc really soars, startling the ear into ecstasy with the sudden release of Rachmaninov's Cherubic Hymn, the 'bright Seraphim'... —
Awards:
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Gramophone Magazine, July 2019, Editor's Choice
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Elgar: The Dream of Gerontius & Parry: Blest Pair of Sirens & I was glad
Roderick Elms (organ), Felicity Palmer (mezzo-soprano), Arthur Davies (tenor), Gwynne Howell (bass)
London Symphony Chorus & London Symphony Orchestra, Richard Hickox
Much of [Davies's] singing, especially in Part I, is full-throated, almost Italianate and he has all the vocal heft you could wish for...Howell is an imposing vocal presence...The choral singing... —
