Orchestral, String Orchestras, Schreker (composer)
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These militant, tightly controlled, sometimes breathtaking performances demand to be heard and may divide opinion. —
Awards:
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Gramophone Awards, 2022, Finalist - Orchestral
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Presto Recordings of the Year, Finalist 2022
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A fine start to a welcome series. The Austrian Franz Schreker is at last being recognised as a significant and inventive post-Romantic voice. The Suite Der Geburtstag der Infantin is extraordinarily... —
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Eastbound: Schumann, Dvorak, Schreker (Works for String Orchestra)
Festival Strings Lucerne, Daniel Dodds
Johan Svendsen’s (literally) muted string-orchestra realisation is a gem as rendered, exquisitely phrased and not at all rushed. —
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Schreker: Orchesterwerke
James Conlon/Gürzenich-Orchester Kölner Philharmoniker, Gürzenich-Orchester Kölner Philharmoniker/James Conlon
Gürzenich-Orchester Kölner Philharmoniker, James Conlon
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Schreker: Chamber Symphony & other works
Dietrich Fischer-Dieskau, Aribert Reimann
Camerata Academica Salzburg, Gürzenich-Orchester Kölner Philharmoniker, Münchner Rundfunkorchester, New Philharmonia Orchestra, Royal Philharmonic Orchestra, Franz Welser-Möst, James Conlon, Fabio Luisi, Hans Bauer, Daniell Revenaugh
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Franz Schreker und seine Schüler
Dietrich Henschel (baritone)
Luzerner Sinfonieorchester, John Axelrod
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Roberto Forés Veses coaxes some admirably precise playing out of the strings of the Orchestre national d’Auvergne. Webern’s slow movement of 1905…sounds even more lushly romantic when performed... —
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