Choral, Magnificat & Nunc dimittis settings, Cristo (composer)
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Cristo’s polyphony is unshowy but always graceful, and the church acoustic in which this selection of antiphons plus a Mass has been recorded perfectly sets off the unadorned freshness of the... —
Awards:
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Gramophone Magazine, December 2022, Editor's Choice
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Gramophone Awards, 2023 Finalists, Shortlisted - Early Music
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Portuguese Vocal Masterpieces of the 16th & 17th Centuries, Vol. 1
Vitor Sousa (tenor), Diogo Zão (organ), Rita Venda (soprano), Ana dos Santos (alto), Guilherme Barroso (lute), Filipa Meneses (viola da gamba), Sara Amorim (alto)
Capella Duriensis, Jonathan Ayerst
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Special offer. Caeli Porta: 17th-Century Sacred Music from Lisbon & Granada
Charlotte Phillips (organ)
The Choir of the Queen’s College Oxford, Owen Rees
The Choir of the Queen’s College is an excellent mixed-voice choir where the women approximate the sound of English choir-boys. The balance and intonation are excellent, and Rees guides them... —
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Ave Maria - Vol. 2 - 15 Canti alla Madonna Di Loreto
Coro della Chiesa Mattia di Budapest - Ungheria, Coro S. Maria del Monte di Varese - Italia, Kameralny Chor Mieszany di Cracovia - Polonia, Schola Cantorum S. Andrea di Vigazzù - Itaalia, Albert Schweitzer Chor di Budapest - Ungheria, Coro Polfonico In Terra viventium di Rimini - Italia, Kammerchor...
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Masterpieces of Portuguese Polyphony, Vol. 2
Iain Simcock (organ), Sally Jackson (bass dulcian), Celia Harper (harp), Westminster Cathedral Choir, James O’Donnell
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